The Particular Pleasures of a One-Person Play

Having done a ton of highly populated and hugely technical musicals, the challenges of I’ll Eat You Last: A Chat with Sue Mengers weren’t necessarily apparent on a first read. In rehearsals I’m used to there never being enough time and having to push forward constantly to even be ready by tech (where the set,Continue reading “The Particular Pleasures of a One-Person Play”